Perspective analitice asupra discursului muzical

Aspecte fenomenologice ale interpretării vocalizei de repertoriu

Abstract

Considered another dimension of the creation for the voice, the vocalizations of the repertoire hide a diversity of specific meanings, with all the stylistic connotations of the musical art. This article analyzes the phenomenological aspects of the interpretation of repertoire vocalizations, both from the perspective of the historical evolution of the means of expression of the human voice and from that of the dynamic relationship between technique and creativity in classical singing.