Existența tragică în spațiul erosului și obsesia reconfigurării destinului în opera dramatică a lui Gib I. Mihăescu

Abstract

The tragic dimension of human existence is a pattern in which the characters of Gib I. Mihăescu often enter, experiencing the drama of man thrown into the fever of conflict, abandonment in purely instinctive states,
sometimes at the limit of survival, which reveals the disconcerting process of doubling, under the appearance of the lucidity of horrors which, paradoxically, he both accepts and detests. Highlighted critically by
attributes such as passion, voluptuousness, sensuality and pity, love outlines portraits perverted by suspicion, under the obsession of infidelity, histrionic and transforms the characters into caricature figures such as don Juan, don Quixote or, liminally, into the executioner and judge of those close to them. Megalomania or delusion of grandeur represents an important point of convergence of the pathology of this writer's characters with the works of other interwar authors, such as Hortensia Papadat-Bengescu. Killing or suicide is the last stage of moral degradation towards which vulnerable characters move with a consistent and motivated action.