Aspecte hibride în dramaturgia română postdecembristă

Abstract

In post-1989 drama, as far as the dialogue with the models is concerned, as well as the metamorphoses that have occurred at the level of the dramatic text, one can speak of “palimpsest-theatre”. The present
undertaking, which employs this construct, aims at underlining the identity tones that this type of drama involves. As criticism states, “beyond the social mechanism and its individualising practices”, the icons, the models become representations of the cultural expression which “tacitly doubles the identity factor”. The dramatic works of the period in focus are characterised by hybridity, dialogism and intertextuality, and identity discourse.