Les avatars perdant leurs archétypes

Abstract

The Eugen Ionesco’s theater becomes a hermeneutics of the deep drama of the human being, especially in their social side, manifested by the language. The progressive destruction of the language, the dissolution in truisms, the dismantling in stereotypes and in empty sounds talk about the rupture between the words and the reality. The concrete images of the absurd fire a warning sign concerning the alienation, the danger of the modern world. The imaginary composed by the characters of E. Ionesco’s theater depicts a time of cries in relation with the history (fascism and communism) and with themselves.