Feminitatea în capcana istoriei şi a destinului

Abstract

The totalitarian dystopian speech is situated in an aesthetic and ideological index committed to
multiple analysis, which enable an ethic, political and contradictory moral canvas. Writer George Balaita
codifies the totalitarian mechanism’s critique, and the novel “The world in two days” (1975) represents a
projection of the myth of power. The creation becomes a chronotop, a parable of contemporary man’s
dramatism, expresing the communication crisis, fear, terror, alienation. Beyond the myth of power, which
despises the personal legend, Romanian space proposes hypostasis of femininity, which prove that existence is a
palimpsest type of story, in which tragical destinies are consumed.