https://gup.ugal.ro/ugaljournals/index.php/cil/issue/feed Comunicare interculturală și literatură / Communication Interculturelle et Littérature 2025-04-07T10:21:54+03:00 Simona Antofi simoantofi@yahoo.com Open Journal Systems <p style="margin: 0cm; margin-bottom: .0001pt;"><strong>DOI:</strong> <a href="http://www.gup.ugal.ro/ugaljournals/index.php/cil">https://doi.org/10.35219/cil</a></p> <p style="margin: 0cm; margin-bottom: .0001pt;"><strong>ISSN:</strong>&nbsp;1844-6965 (print)</p> <p style="margin: 0cm; margin-bottom: .0001pt;"><strong>Frequency:</strong> annual (2006-2013); biannual (2014-)</p> <p style="margin: 0cm; margin-bottom: .0001pt;"><strong>Subjects:&nbsp;</strong>culture and Romanian identity, cultural identity and multiculturalism in the XIX<sup>th&nbsp;</sup>and the XXI<sup>st</sup>&nbsp;century European space, exilic and diasporic studies, literature in totalitarian and post-totalitarian cultural areas</p> <p style="margin: 0cm; margin-bottom: .0001pt;"><strong>Contact:</strong> simoantofi@yahoo.com</p> https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6601 Receptarea operelor lui Dimitrie Cantemir în discursul critic actual 2025-04-04T13:27:28+03:00 Simona Antofi refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp;The critical reception of Dimitrie Canemir's work, diversified and with multiple stakes, allows a comparative analysis of some perspectives and critical opinions that illuminate, each from a different angle, the complexity and depth of meanings of these writings, still extremely attractive for today's reader.</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6602 Interviurile Anei Blandiana - poeta și eseista par elle-même 2025-04-04T13:27:48+03:00 Simona Antofi refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp;Ana Blandiana's essays represent a form of aesthetic ennobling of the world through a simultaneously affective and ethical grid. Because there is, here, an undoubted ethics of writing and of the writer who traverses the world in the spirit of her own freedom of thought and critical freedom, as well as a poetic vision that rewrites the data of reality by repositioning them among themselves and in relation to the writing that carries them and thus reconverts them.</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6603 Eugen Simion – despre exilul creator. Martori și mărturisiri. Convorbiri cu Virgil Tănase 2025-04-04T13:28:11+03:00 Iuliana BARNA refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp;By covertly witnessing the dialogue between Virgil Tănase and Eugen Simion focused on ‘oniric’ literature, trauma and alienation, the reader finds out aspects of the outcast’s life, who resists through writing in a world where the confessional mechanisms relate to the metaphor covering the existential rebellion.</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6604 Letiția Branea-Arcan – eterna căutare și (re)găsire a Sinelui 2025-04-04T13:28:36+03:00 Mariana Mogoș refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp; This work follows the way in which the remembrance will outline and deepen an identity crisis in relation to itself, but also to everyone and everything around.</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6605 Memoria culturală și socială reflectată în literatură 2025-04-04T12:38:16+03:00 Ninela Adina Nedelea refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp;From the first volume of stories, Fănuș Neagu writes about the disappearance of a picturesque world and customs, although sometimes barbaric, althoughhe does not want to show how a new world wins, the world of institutionalization, collective assimilated to factories, a world taken out of an ancestral flow, resettled in cities. Assimilated to Bucharest, where he feels at home, he always tends to escape to the Danube area in almost all the works he worte. The element of the <br>psychology of creation preserve the authentic, although literature during its debut period was not favorable context, in the full communist period, the calendar of dogmatism still had enough unbroken pages. Fănuș Neagu’s literary creation continued to bear its own pressures, of a reality of subordinationto the political ideology of the time. The village, the factory and the history would become real sources of inspiration for Fănuș Neagu, making them true schemes of reality, even with the risk of becoming dangerous once the limits imposed by the regime of the time were exceeded. The debut story ,,Snowing in Bărăgan”would foreshadow a departure from the canons of the era. The Romanian epic creation places the rurald world exclusively under the horizon of social conflicts, exploited in the spirit of the political strategy of the time. In this context Fănuș Neagu brings the harsh reality of the times to the level of a literature worthy of study through real experiences, with the most interesting characters, delightful metaphors and topics that cover the entire context, preserving the cultural and social memory reflected in the ever-living literature</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6606 Paratopia și parodia, reperele lumii ca proiecție mentală, în romanul Fairia, o lume îndepărtată, de Radu Pavel Gheo 2025-04-04T13:29:23+03:00 Viorica Isaia refbbib@ugal.ro <p>&nbsp; &nbsp; The present paper focuses on the way in which the discursive ensemble intended to reconstruct an unworldly world, an alternative to reality, is revealed to the reader, I considered fertile for the issue of literary enunciation, paratopia, allusion, parodic discourse and pastiche.</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6607 Inteligența artificială și viitorul jurnalismului 2025-04-04T13:29:46+03:00 Daniela Aura Bogdan refbbib@ugal.ro <p>&nbsp; &nbsp;AI is probably the fastest emerging technology for media in this digital age. A useful technology, but one that can also be used to the disadvantage of journalists. AI offers opportunities for good journalists to do more creative work in newsrooms. At the same time, critics say, it can amplify clickbait and distortion of information through deepfake. AI gives journalism ways to reinvent itself in interesting ways. In a world of machine-generated information, much of it unreliable, responsible, public service journalism is in an excellent position to prove its worth. The need to balance technology and journalism remains imperative for a future in which AI will be increasingly used.</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6608 Proiecte independente de presă în epoca actuală 2025-04-04T13:30:10+03:00 Petrica Pațilea refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp;In this paper, we analyze three independent media projects from Romania in recent years, which proved to be successful, although they risked venturing into unknown territory, the field of journalism that lives, literally, from the appreciation of its audience. It is about three of the most important online press projects - Casa Jurnalistului, Rise Project and Recorder, as well as the independent press network PressHub - which live from public donations and international grants.</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6609 Aspecte literare reflectate în periodicul Flacăra (iulie - decembrie 1979) 2025-04-04T13:30:33+03:00 Elena IANCU refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp; &nbsp;The paper analyses aspects of literature works as presented in article published in the periocal ”Flacăra” (July - December 1979)1<br>, o n e of the propagandistic instrument of the Romanian Communist Party. The Flacăra newspaper includes a series of articles that highlight the folding of certain authors and their vision regarding the dogma of the communist regime, the periodical representing a strong factor of influence among the general public.</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6610 Particularități ale terminologiei gramaticale în Elemente de Gramatică română pentru scolarii începători de profesorul Nicolau Bălășescu. Partea 1 2025-04-04T13:30:53+03:00 Loredana-Liliana Buzoianu refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp; This article is comprised of Professor Nicolau Bălășescu’s work, written in the transitional Cyrillic alphabet, published in 1850 in Bucharest and printed at Iosef Kopainig's Typography. In the first part of this article I began with a description of the phonetic system as a representation of this grammar’s structure with an emphasis on Professor Bălășescu's explanations regarding the classification of three parts of speech: the noun, the article, the adjective.&nbsp;</p> 2024-03-18T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6613 Modalități de creare a personajelor media pe rețelele de socializare 2025-04-04T12:42:34+03:00 Marius Țuca refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp; &nbsp;Much like a storyteller crafts a narrative, social media users present a deliberate selection of information, shaping their online counterparts into literary-like characters. The study illustrates that social media users, particularly in the youth demographic, engage in a nuanced dance of self-disclosure, sharing snippets of their lives akin to literary excerpts.</p> 2024-03-19T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/7617 Theodoros – un roman-ancoră pentru universul creației lui Mircea Cărtărescu 2025-04-07T10:21:54+03:00 Mihaela Rusu daniela.costinescu@ugal.ro <p>Si l'écrivain contemporain se projette dans le rôle du navigateur de longue course qui vise à traverser, par son œuvre, les mers et les océans des lettres universelles, le rôle de la critique littéraire serait d'identifier les types de bateaux qui composent la flotte d'un écrivain de longue course. Mircea Cărtărescu a récemment témoigné dans un interview que sa flotte comprend de petits canots de sauvetage, mais aussi des croiseurs, des sous-marins et des navires à passagers. Quel type de bateau représente le roman „Theodoros” pour la flotte de Mircea Cărtărescu ? Désigné „roman-total” par le créateur luimême, „Theodoros” est, entre autres, une narration à plusieurs étages, qui peut être lue comme un pastiche du texte biblique, mais aussi comme une tentative d'écrire un pseudo-roman historique ou une petite histoire épistolaire de la littérature roumaine. Le protagoniste, Tudor, traverse par son destin de type papillon des expériences transformatrices qui font de lui le témoin des guerres qui ont changé la face du monde des deux derniers siècles. Raconté à la deuxième personne, le roman est la chronique de la vie de Théodoros que les archanges signent lors du Jugement final.</p> 2025-04-04T00:00:00+03:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6615 Geneza şi evoluţia limbii ebraice 2025-04-04T12:43:52+03:00 Cătălin Negoiță refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp;This work focuses on how Hebrew is the sacred language of the Jewish people, the language of their religion, culture and civilization. We can say that it has been intimately identified with the national and religious experiences of the Jewish people throughout history.</p> 2024-03-19T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6616 Umor și ironie în strigătura românească 2025-04-04T12:45:03+03:00 Gabriel Preda refbbib@ugal.ro <p>&nbsp; &nbsp; Jokes are a mixture of reality, perception of everyday life and the personality of the creator or the transmitter of the witty word. The rhythmic shout in verse, specific to Romanian folklore, is the most concise of the lyrical species, due to its rhyme and satirical intention. We can place it in the epigram family, we can even call it a rural epigram, in the context of its origin and rural existence. The urban culture took over the form, bringing some innovations in terms of vocabulary and in the way it spread in various contexts. Nowadays, the signs of the rural rhythmic shouting are recognizable in the verbal manifestations of sports competitions (especially in stadiums), but also in the socio-political context. Although it has not received the same scholarly interest as other literary species, the rhythmic shout in verse has its place in our popular culture, in our literature and in society. It brings into contemporaneity, from ancient times, a philosophy of life, full of comedy and sarcasm.</p> 2024-03-19T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6617 Fantastic, identitate și universalitate în proza Gabrielei Melinescu 2025-04-04T12:45:57+03:00 Maria Dobrinoiu refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp; &nbsp; Within the landscape of post-war Romanian literature, in which the works of some great writers were either enslaved to the communist regime, becoming instruments of the new ideology, or declared manifestos, written in a relationship of hostility or indifference towards this period that made many writers choose the path of exile, the work of Gabriela Melinescu, who in 1975 chooses to settle in Sweden, has become, both for unskilled readers and for exegetes, a labyrinth of metaphors and parables, a mosaic of her deepest experiences, to which her generosity makes us witnesses, confronting us with an increasingly complex and surprising hermeneutics. The author managed to transform the insignificant <br>elements of existence into significant ones, showing, through her novels and short stories, but also through her journal, that the true meaning of existence must be sought in the seemingly insignificant aspects of life. What matters is not the extraordinary, but the events in which the characters are made to act, which, at a first reading, appear to be trivial, insignificant, but whose understanding entails an approved training of specialized critical thinking and analysis.</p> 2024-03-19T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6621 Memoria și exilul în romanul „Anii romantici” al Gabrielei Adameșteanu 2025-04-04T12:46:41+03:00 Ancuța-Maria Smadu refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp;This article proposes an analysis of the memorial literature existing in the opera The Romantic Years, a book of memories and thoughts, which deals with aspects related to the Romanian political space, and the changes brought with the change of mentality in recent years. At the same time, it also captures details related to the Romanian exile, about life in the literary environment, but also about censorship, dissent and resistance through culture. That is why her writing becomes stronger and more involved in the world around her, due to the fact that she feeds on the experience and discoveries of the romantic years. Gabriela Adameşteanu is documenting herself as a historian, practicing ways of speaking and telling stories and therefore of thinking that are reasonable, "borrowed" to her characters or assumed as a narrator. A lot of times literature is more compelling than anything else, when it comes to giving meaning to the world. All this contribute of originality of the type of discourse adopted by the author, which is inspired by the striking formula, identified by the American theorist, Michael Bamber</p> 2024-03-20T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6622 Problematica autor-narator-personaj în Mandarina de Răzvan Petrescu 2025-04-04T12:47:27+03:00 Vlad Ştefan Stroe refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp;The present paper follows the analysis of the contemporary short stories included in the volume Mandarinawritten by Răzvan Petrescu. For our analysis, we will consider the theories of Paul Valéry, Marcel Proust, Roland Barthes and Sidmung Freud regiarding the author’s status, as they are identified by Eugen Simion. We will take into consideration the relationship between the author, narrator and character and the way in which these entities are present in the text in order to gain a <br>better understanding of the short stories written by Răzvan Petrescu. Using predominantly the first person narration, we will see the way in which the narrator and character overlap and how this technique affects the lecture of the short stories.</p> 2024-03-20T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6623 Calitatea comunicării în educația on-line -O abordare sociologică 2025-04-04T12:48:25+03:00 Enache TUȘA refbbib@ugal.ro <p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; In this research, we set out to investigate the views of pre-school teachers and parents on how digital educational resources have been used to maintain communication in the online environment so that learning activities are not disrupted. We also aimed to identify the effectiveness of online learning activities in pre-school education from the perspective of teachers and parents. Our research was based on the hypothesis that both teachers and parents have been able to adapt to online learning by using the educational resources required for this form of education.</p> 2024-03-20T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6624 Literary Representations of the Far North through the Lens of a Canadian-Romanian Writer: Pineapple Kisses in Iqaluit by Felicia Mihali 2025-04-04T12:49:14+03:00 Corina Dobrotă refbbib@ugal.ro <p>&nbsp; &nbsp; The Canadian North, close to the Arctic and the embodiment of the exotic faraway realm of ice and enigmatic inhabitants, is explored through the perspective of a Canadian writer of Romanian origin, Felicia Mihali, as depicted in her very recent novel Pineapple Kisses in Iqaluit (2021). Summarisable as the initiatic journey of a disabused French teacher in her thirties towards the happiness that she eventually finds in the least expected, most hostile environment imaginable, Iqaluit, <br>the seat of the most northern French school in Nunavut, the case of this novel is quite interesting, as it was written in English and subsequently translated into French by its Romanian author. Thus, the issue of the multiplicity of perspectives and the culturally filtered perception of an exotic, unfamiliar, unrelenting landscape bearing upon the evolution of the female protagonist becomes the centre of attention, providing the opportunity to assess the symbolic meaning of the descriptive passages and their role in shaping the character’s evolution. These landscapes making up the corpus under study take the most varied forms, from the wilderness to the urban area, the school environment, or the inserts referring to the polar expeditions in search of the Northern Passage, and last but not least, the Inuit folk tales.</p> 2024-03-20T00:00:00+02:00 ##submission.copyrightStatement## https://gup.ugal.ro/ugaljournals/index.php/cil/article/view/6625 Despre spațiul creației sau obsesii identitare 2025-04-04T12:50:00+03:00 Iuliana BARNA refbbib@ugal.ro <p>&nbsp; &nbsp; In exile, the space of creation takes shape through analytical prose using modern and postmodern techniques, where introspection, self-analysis, self-reflection, psychologism, fragmentism, biography, offer the exiled writer - who is being absorbed in a continuous, self-obsessive dialogue - a rational ad aesthetic balanced formula.</p> 2024-03-20T00:00:00+02:00 ##submission.copyrightStatement##