Sculpture, Extended Nature
Keywords:
sculpture, canon, proportion
Abstract
The paper portrays some aspects that show how nature is implemented into the graphic values domain by confronting the physical image of the artistic subject. The article presents some rules that have marked over time the representation of the human body in sculpture, based on the subtle game of proportion. There are also presented brief studies of works of art based on an analysis of framing surfaces the sides of which are in the golden section ratio.
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References
[1]. G. Ghiţescu, The Constant of Art, Meridiane Publishing, Bucharest, 1970.
[2]. H. Facillon, The Art of Roman Sculptors, Meridiane Publishing, Bucharest, 1989.
[3]. H. R. Radian, The Book of Proportions, Meridiane Publishing, Bucharest, 1981.
[4]. G. Ghiţescu, Artistic Anatomy, vol II, Meridiane Publishing, Bucharest, 1965.
[5]. Gh.Florea, AL.Chiriac, I. Marginean, G.Croitoru, The Art Foundry.The Design, Europlus Publishing, Galati, 2009.
[2]. H. Facillon, The Art of Roman Sculptors, Meridiane Publishing, Bucharest, 1989.
[3]. H. R. Radian, The Book of Proportions, Meridiane Publishing, Bucharest, 1981.
[4]. G. Ghiţescu, Artistic Anatomy, vol II, Meridiane Publishing, Bucharest, 1965.
[5]. Gh.Florea, AL.Chiriac, I. Marginean, G.Croitoru, The Art Foundry.The Design, Europlus Publishing, Galati, 2009.
Published
2010-03-15
How to Cite
1.
PARASCHIV E, PĂUNESCU V, RĂDUCAN C. Sculpture, Extended Nature. The Annals of “Dunarea de Jos” University of Galati. Fascicle IX, Metallurgy and Materials Science [Internet]. 15Mar.2010 [cited 2Apr.2025];33(1):33-6. Available from: https://gup.ugal.ro/ugaljournals/index.php/mms/article/view/3017
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Section
Articles
